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Monday, January 29. 2007Day 251 - Jan 29 - Orlando Day OffTrackbacks
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Dear Ratty,
I see some Shure ULX Pro Wireless in the bass rig pictures. Do you use any other wireless mics and/or IEM's in the tour and if so, which ones? How have they worked out for you? How about overseas?
Keep it coming!
Mike
Hello Dave Rat!
I found your blog this past December during finals week at my college. It became an addiction during study breaks for finals, as I started from the very beginning and worked my way through to the present day (studying was often delayed because I just (*had*) to read one more post!). To say the very least, your blog is awesome.
On the unofficial sound nerd scale, I rank around 2 or 3, on a scale from 1 to 11. I really enjoy reading sound nerd speak, though, even if it is sometimes way over my head.
So, I have been trying to conjure up a good sound nerd question to ask the venerable Dave Rat, and the recent Dear Ratty segments have encouraged me enough to come out of my blog-comment-lurking shell. All righty, here goes nothing:
As a sound person, the most important tools in your toolkit are, most likely, your ears. Also, as a sound person, you do many rock shows each week where you are exposed to high sound pressure levels. However, ears tend to dislike high sound pressure levels, especially for extened periods of time. So, my question is what steps, if any, do you take to protect your hearing?
Sorry for being so long winded,
Rich
How much planning is done for each venue? I imagine that the rigging and lighting guys have some work to do with points and such, but what's done on the acoustical side? Do you model each venue in EASE, or just guess the coverage?
Dave,
Great to see the pics of Flea's rig. Thanks so much for posting them!
Hi Dave,
How long until the big touring audio systems go wireless? It isn't a line array, but I stuck a couple of Apple's 'AirPort' wireless thingys on some powered speakers in a Little League feild and had an instant delay/latency cluster (until I realized I could only run iTunes audio to them). Should the folks at Whirlwind be nervous?
re: Apple - they've come/gone a long way since the feel-good days of Wozniak's "Us Festival". But they make some good stuff... this is coming to you from my Mac...
Hopefully I'll see you at COACHELLA! Man was I stoked when I saw that the Peppers were playing!
Thanks,
Martin
Hey Dave!
I was lucky enough to meet Buford Jones on his UK Meyer Sound educational tour today. What a fantastic guy! Aparently you guys met up in Nashville a few weeks ago, anyway we got chatting about your blog... he loves your desk labelling!
Take it easy,
Danny
Hey Dave,
I noticed on the console that you have added some high end in on many of the drum channels and on AK's vocals. I have read in a former post of yours that you always try to pull frequencies instead of boosting them. How come the change here? Also, it looks like you have a great amount of midrange (200 to 600) pulled from the VDOSC in the 960 and the CP10. Do you ever apply any modifications to the system processors, or do you leave them on their factory settings and do all of your changes on your system EQ's at FOH? Speaking of which, do you happen have any pictures of amp world? Thanks and keep up the good times at Tiki FOH!
Jay Rigby
Ah, just read your answer on the low mid eq and system processor which is very understandable. A different question for ya then. How do you feel about graphic eq vs. parametric eq on system eq's? One of our FOH techs here has been recently doing ALL of the system eq and house eq for venues in the XTA's. Even when something gets pulled from the graph he translates it into the parametric on the XTA and leaves the graphic flat all of the time. His reason is that the graphic eq throws the system out of phase. Any thoughts?
Dear Ratty;
How do the versa tubes go into the truck pack? My thought is that the stay in 10 or 16' sections and roll in on set carts, am I close?
Mike
Mr Rat,
Thank you for providing all the inside inofrmation on what's going on with the tour!
Quick, but curious question, how do you feel about those who may try to record the show...whether by audio or video?
Thanks,
John
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