1"As long as expectations don't exceed experiences, everyone has a wonderful time."
Is the thought I was writing in a response and I then I started to ponder various experiences I have had in the past that made me happy or bummed and there is a clear correlation. I started to think and found that my verbal terms for the view angle of open expectation is 'big eyes,' curious and wandering. The mind set of 'anything can happen, hey come on, lets go see what it will be!' versus 'first I want this and second I want this and if this does not happen I will be so bummed.' Dating, rock shows, job interviews, and vacations all so often see humans with less than exuberant views on their outcomes when people involved don't moderate their expectations to leave room for the unexpected to occur. I have found personally that if I do the things I enjoy because I enjoy them, with big eyes and curiosity rather than pre writing the story line, that positive outcomes flow freely. And that is exactly how the blog posts unfold into existence each morning when I scan over the pile of recent thoughts, experiences and photos to see where the words I type will wander hopefully not getting too lost and ending up in the dreaded desolate forest of boring. Good morning!!
How about today we take a look at a Rat Sound analog snake splitter system?
**** Sound Nerd Speak ****
Ok for all you non nerds involved in voyeurism of the nerdy ways here is quick run down, while true audio nerds can skip this paragraph. OK, you know how there are mics on stage and they pick up the sound. Also, if you have been hanging around blog world for a while you also know that the Peppers, as most mid to large bands do, have two sound engineers. Our monitor engineer Daniel, is on the side of the stage and mixes the sound that the band hears and the Front of House engineer out front in the audience, me, mixes the sound that the audience hears. In order for the sound from the microphones on stage to get to both places, sound systems have something often called a 'splitter.' Though on the surface all it really is, is a glorified "y" cable, in actuality, they are complex, expensive and if anything goes wrong with it during a show, the outcome is not so good.
Rat Sound is currently based on a 56 channel XLR in, dual W-4 out hardwire splitter system with an external transformer W-4 input and either one or two W-4 outputs depending on the unit. Plus each splitter incorporates a triple 20 channel patchable sub snake array.
The large top box is the XLR input dual W-4 output unit with audio ground lifts on each input. The next unit down with the white blue and violet surrounded connectors allows sub snakes to be connected to the splitter system. You will notice the 60 numbered XLR cables dropped over the top, those are coming from the associated color coded sub snake connector. The cables allow the sub snakes to be patched into the splitter and stay patched over the course of a tour. The bottom box is a Rat built transformer splitter unit. When one of the main splitter W-4's is connected to the input of the transformer splitter, the transformer split provides 2 isolated W-4 outputs also creating a third split that can be used for a recording truck or other need.
The modular design that has evolved over the years with Jon Rat really doing an amazing job in developing the final result. The flexibility and capabilities of this setup makes the complex world of stage wiring fairly easy, reliable and versatile. Oh, and here is the 20 channel stage box
As far as the 6 channel and 12 channel stage boxes, they direct patch via XLR rather than multi pins like the 20 channel boxes.
**** End Sound Nerd Speak ****
I can only hope that my bloggery offerings exceed your expectations. Speaking of that, any bloggery requests? Yes, I know more roadie cards is one I need to do and am hoping to soon, what else? What do ya 'all want?