Dave Rat - Roadies in the Midst

Hey, Lets go Over There!

nospam@example.com (Dave Rat) — 2011-08-12T02:16:15Z

Ok, it has been 5 1/2 years since I started a blog on Chili Peppers tour in '06. Had no idea where it would go or really even that anyone would read it. To be perfectly honest, I did it to remember. To remember the adventures of travel and to captures snapshots of the details that hopefully would be spontaneous enough that at some future date I could look back and feel a how it felt. I wanted to document the experiments with sound so there was a feeling of progress in my life rather than an endless stream of unfinished projects.

Well, who woulda knew the added dynamics, interactions and adventures it would bring. So fun, so cool and to meet so many people all over.

Anyway, I am going to bring this blog to an end, or at least let it rest. I am not one much for repetition, I love excitement, change and motion. And to put it more simply, it is a real pain in the ass to blog this way. I actually have been writing the posts in Dreamweaver, crushing the pics down in Firefox, uploading pics, then embedding links, then saving and finally copying the HTML code into the blog, posting, testing and done.

So it has been that inconvenience rather than the lack of things to post that has grinded the blog to a crawl

Still in the learning curve, and hoping the wordpress world will bump it up a notch toward smoother and the new Dave Rat blog address is:

http://www.daverat.blogspot.com

Heavy Gear

nospam@example.com (Dave Rat) — 2011-06-23T05:31:13Z

Heavy Gear

So getting ready to tour with Soundgarden and the gear left on trucks today. I cool K1 rig and lots of toys. Jamie and the rest of the shop Rats have spent the last week or so building up the ,complex kluge of gear for the run and it should be cool. Here is snap of the FOH racks as I will start the tour. I have some fun new things going on with subs that I am hoping will pan out as planned. A newer cleaner setup to replace the vortex, though not quite as sexy looking plus some new control features I am pretty psyched about. I am planning on setting up sideways again with the console controlled by my right hand as I face forward towards the band. In front and off to the right will be the racks shown below. The goal is to have a wide open space between the band and I with no gear between while being able to clearly see the RTA, system EQ's and the rack gear. Stepping back will allow a full scan of everything going on with the system.

The Dorroughs meters are new and I am hoping the average versus peak simultaneous metering will do a good job of giving a clear visual on how well the subgroup compression technique I use is working. For more info on that, check out the youtube video I did on the subject.

Cool cool, excited to get out and about have some fun getting this rig dialled in for some epic gigs with a super cool heavy band!

-Dave Rat

Here We Go

nospam@example.com (Dave Rat) — 2011-06-09T22:54:39Z

Here comes summer sunshine and time to jump back in to making the world a louder place to live in. Red Hot Chili Peppers have a new album coming out at the end of August directly followed by a world tour schedule that keeps rolling through 2013. Bye bye home. well, not really as Peppers tend to travel a 3 week on, 2 week off pattern so I wont totally disconnect from the world I currently live in. Plus with my daughters now 15, I am planning to have them take turns coming out to visit on and get in some travels and adventures. Oh, and the first gig is in Hong Kong, never been so its always cool to go to a new city.

But before all that kicks in, I will be out for all of July mixing Soundgarden for a one month North America run. It just all comes at once. Unfortunately I could not take the upcoming Blink 182 tour as it overlaps both Soundgarden and Peppers, but at least two of the three bands I mix have schedules that fit well enough.

Whenever I head out on the road for a major full production tour, I try and formulate some sort of useful or memorable adventure to attach to the travels. On Rage Against the Machine tour in 1996, I decided I would learn HTML and build a web site, back when it was not a point and click process. Unfortunately "Way Back Machine" did not capture the images of the old Rat Site but here is a link to the archive.

And if you are not familiar with Way Back Machine, it archives the internet so you can see web sites as they were, way back when.

Google beta site 1998

Enron from start to collapse

The very first Twitter Web Page

I find it both interesting and useful. I use it to look up old specification on audio gear that is no longer made and with a bit of digging there is all kinds of seemingly long lost info that is still around.

Speaking of way back, way back in April Rat Sound provided the gear for our 11th Coachella Festival and our 5th year supporting Stagecoach Festival, except this time there were three weekends instead of two and a the Big 4 show with Metallica, Slayer, Anthrax and Megadeth kept us in the desert for three weekends with 7 semi trucks of gear.

Oh, so back to useful and memorable, one tour I learned to weld and had a 200 amp welder shipped to my hotel and made an electric gocart, another tour I learned to scuba dive during a week off in Bali, but mainly I try and focus on the fact that I have a giant sound system at me disposal and try and figure out some sort of new or improved way of presenting large scale audio.

So, for these tours, so far, I have four things on my plate:

1) I have a new sub setup that appears to be an improvement over the Vortex/Orgasmatron configuration

2) I have worked out a sub woofer processing method that should reduce if not eliminate the two primary nulls realized from two spaced sub sources. I did some youtube vids on subs setups and I look forward to testing the new processing.

3) As the sound world clamours deeper into the layered menus of digital control, the amount of information involved with mixing is growing exponentially while the amount of useful information we have access to becomes buried and diluted. Maybe it is all my punk rock anti follow the flow tendencies or perhaps I just want a simple clean controllable environment to mix in. Either way, I am excited about adding big giant VU meters to my setup. http://www.dorrough.com/ There is more to this than just a having a big meters as these provide some valuable insight into the sound being reproduced directly in line with my mixing strategy.

4) And more down that line, I had a great time mixing Paul Van Dyk in the Sahara Tent at Coachella this year. Two inputs, both Left and Right. I made a point of running the audio in a direct super clean path and used some Tonelux Mic pre's, EQ's and went directly into the amps from there. The sound quality difference over the more complex audio path from the normal setup was audible and preferable So, I am going to do some work on cleaning up and reducing the complexity of the audio path to get a cleaner sound to the speakers.

Ok, that's it for now, except one more thing. I officially declare the recession over. Just as it took a year for the realities of the recession to penetrate deeply enough into the depths of our economy for all to agree that it actually existed, the recovery will be denied by those late in the healing process until long after positive momentum is firmly entrenched and and driving the powerful core economic direction in a positive direction. Unfortunately the late healers involve employment figures and housing prices, so bemoan if you wish but the reality is that now, right now is the time that point that 5 years from now you will look back and go "man, I should have blah blah blah'ed back then because the people that did are on top of the world."

Ok, that's it for now, I will try and get some regular pattern for blogging again now that I am getting back into touring mode. In the mean time to fill the spaces between the blog posts that actually require me to sit down at a computer, I will continue doing updates and such via twitter and Facebook as well as posting links to stuff on daverat.com. Cool cool and see ya'all soon!

Dave Rat

Another Terrible Day at the Office

nospam@example.com (Dave Rat) — 2010-08-19T10:50:01Z

Two hours of sleep and then a bus ride to Pukkelpop in Belgium on the Ocho with Blink. Yes, we are actually on production bus #2 but the core Blink crew refuses to ride on anything but a bus with a #8. Oh and I forgot but I did grab a few shots of the Soundgarden Vic show.

**** Sound Nerd Speak ****

So prepping for Blink we soundies get word of an all new ground support drum riser with two spinning axis, being built. Hmmm, end over end flips of a spinning disk, this should make for some interesting cable runs. We have no idea how many flips or spins, just that it is going to need audio and AC power and if the we lose audio during the drum solo with a spinning drummer doing a solo, well, to say the least, that would be really bad.

The plan as presented by the creators of the contraption was "just run audio wireless." Hmmm, where would that put me? Run wireless drum mics the entire show? Yuck. Run hardwired and switch to wireless for the drum solo? Yuck. And what kind of wireless? We need full 48 volt phantom power for half the mics up there. Start swapping out mics? Oh my, this is bit of a mind knot. Figure out a hardwire solution? But what if it does not work? We wont even get to see the riser till three days before I leave for Soundgarden so we can not count on implementing a hardwired solution.

After a bit of pondering and a call to Showrig who was building the contraption, they agreed to have some extra holes drilled, and I think I have a way to route the cable. Thank you Justin! for the updates and taking care of getting things worked out. Then a custom snake and spare snake, 20 ch mult to tinned bare ends was ordered plus a box with terminal strips and a mult. This would allow the cable to be threaded through openings of unknown dimension and attached without soldering. For the next several weeks Steve Walsh and I brain stormed and waited for the various pieces to arrive.

So here she is in all of her 4000 pounds of glory. It was all about getting the audio working with minimal complexity and high reliability with a big pile of unknowns and little time for errors as the whole shebang shipped to Europe 6 days after we get our hands on it.

The two arms lift, the disc flips end over end and spins at the same time. Since and audio failure is a show stopper, it's all about redundancy so after some looking around, decided on the cool Sennheiser SKB2000 plug in wireless transmitters. Full 48 volt phantom, lots o channels and they come in little leather pouches that can clip to the cymbal legs. Unfortunately we needed a minimum of 10 and finding 10 of these matched rarities is both really tough and/or really expensive. So we decided to buy them. Oh, and hey, we will be selling most of them as well as the matching receivers after the tour next month so let Daniella know if you are interested. Basically they just plug onto any mic and make it wireless. http://www.sennheiser.com/sennheiser/home_en.nsf/root/professional_wireless-microphone-systems_plug-on-transmitter_2000-series_021738

Locking in the wireless backup took a pile of weight off. We now had at least something that had a good chance of working assuming we did not get drop outs when the metal riser flips and we don't get crushed by interference in Europe. The AC power backup was easy, just bolt down a UPS unit on the riser and pull power during the solo and let the run off the battery backup for the 6 minute adventure. Here are the 10 wireless transmitters hitting a set of snake tails into the mult of the stage box.

The other parallel mult of the stage box hits a snake and power cable that feeds through the center hole. Turns out we were barely able to fit the 20 channel mult cable after all. It was less than a 1/32 of an inch to spare.

This is the cable drum that Showrig added to the riser for us with a plexiglas bottom. Since the riser splits in half, so does the cable drum. The cable then feeds through a small trough on the left. Note that the drum does not spin and is attached to the outer ring that only flips.

The rotator post which does spin, holds the cable such that it coils and un coils itself.

After traveling down the non spinning trough, the cable enters the axle past the spinning disk and exits the end. The twist caused by flipping can be manually paged by our SSE monitor tech, Perttu. Oh, and I forgot to mention, the riser also drives downstage, turns to one side, backs up and turns again before driving back home again. The final choreography has three spins a few partial rotations and a single flip over. The tour is only 15 shows so we are pretty confident we wont have to change the cable out.

Meanwhile, we also have the 10 wireless redundant channels as a backup in the event the cable gets caught and chewed. The only weak link is that a chewed cable will most likely short out the mic lines but fortunately if we had to, we could risk Perttu's life and have him dash up and pull the hardwire mult except during the flips and spins to save the finally of the solo. And there you have it. I am sure there are plenty of youtube videos getting posted so do a search if you want to see the actual machine in action.

So now we have two shows under our belt. Both the wired and wireless lines are solid and the wireless does not sound as good but is good enough to get me through if need be. I have the wired drums on one VCA and the wireless on another VCA. I can slide between the two sets seamlessly. I actually started bypassing the gates on the wireless toms and snares and adding them in when Travis plays softer parts. And on to other adventures....

It has been a while but we are closer to done on the NL4 Sniffers, here is a shot of the final production first run. Soon soon.

Oh, and while I am nerding it up, here is one for my analog brethren. Here is a significant and almost always overlooked issue I constantly see on Midas and other consoles. Can you spot the issue?

Notice the st aux 7&8 knob lower right. All knobs are turned all the way down bit it has been put on such that it points exactly at infinity while the other three are swept to below infinity. While this ma seem innocuous, it is common, especially when dialling up matrixes and such to set the knobs pointing at "0." Except when the the knob is incorrectly placed on the shaft, it will send at a lower volume level than it should due to not being rotated far enough yet visually looking correct. Now take the cumulative effect of this occurring on an aux send, to a group to left and right and then to a matrix and you can get very audible imbalances. The correct knob placement is for it to point below infinity when turned down all the way.

**** End Sound Nerd Speak ****

Oh, check this out, Nick Taylor made my day. Imagine getting a message asking me if I would like to go for a surf in the North Sea while I am in Scotland.

Instant YES! So he pics me up at the gig, loans me a suit and board and off we go to some chilly water and waves.

How big? Well, Ronnie Kimball and I have perfected a wave measurement system. The great neutralizer between the whole measure the back of the wave, front of the wave, exaggerations or whatever. All waves are 2-3 ft.and if they are bigger, 2-3 +, and smaller is 2-3 -. Done. So these waves? Well, they were 2-3 +. Oh, and the water is never 'cold,' only some days are just more 'refreshing' than others.

A quick walk through a small 500 year old village

http://en.wikipedia.org/wiki/Footdee filled with miniature houses

And then back to the gig for another terrible day at the world office.

Dave Rat

PS, If I am ever on tour near you and you want to come take me surfing, I am in!

Back Again

nospam@example.com (Dave Rat) — 2010-08-14T16:38:52Z

Back Again

First Blink 182, now Soundgarden, hey I am the reunion guy! Oh, if you are in to the sound nerdery stuff, I have been pretty good about getting videos up on youtube about various sound world things. I really try and cover subjects or explanation that are off the beaten path. Check out either http://www.youtube.com/user/www73171 or http://daverat.com/ if you are into that kind of stuff.

Oh and while I am doing shameless plugs, if you need any sound or video gear, give Daniella or John Karr a shout and they will hook you up. Rat keeps low sales margins, will gladly give you real world advice and if you ever have any issue with anything we sell ya, we will take care of it and get you dialed in and happy.

Finally the first batch of Rat NL4 Sniffers are coming in next week and though I have not seen the production final, the photos I've seen are really cool. The web site is still being worked on but to check out the products as they become available take a peek at http://soundtools.com/

OK, time for some ramblings and adventures

**** Back in the Day ****

Rewind twenty years back to the most grueling non Black Flag tour I have traveled. Three of us across on the bench seat of rented bobtail truck, following the band busses and hauling the monitor rig and FOH drive.

Danzig, Soundgarden, Corrosion of Conformity, Warrior Soul after Boston
07/27/90 Santa Monica Civic, Los Angeles, CA
07/28/90 Warfield Theatre, San Francisco, CA
07/29/90 Wilson Theater, Fresno, CA
07/31/90 Horticultural Center, Salt Lake City, UT
08/01/90 C.I. Sports Complex, Denver, CO
08/03/90 Riviera Theater, Chicago, IL
08/04/90 Central Park Ballroom, Milwaukee, WI
08/05/90 First Avenue Club, Minneapolis, MN
08/07/90 Mississippi Nights, St. Louis, MO
08/08/90 Bogart's, Cincinnati, OH
08/10/90 Latin Quarter, Detroit, MI
08/11/90 Agora, Cleveland, OH
08/12/90 Metropol , Pittsburgh, PA
08/13/90 Concert Hall, Toronto, Canada (cancelled)
08/15/90 Citi/Axis, Boston, MA
08/17/90 Beacon Theatre, New York, NY
08/18/90 Airport Music Hall, Allentown, PA
08/19/90 Trocadero, Philadelphia, PA
08/21/90 Ritchie Coliseum, College Park, MD
08/22/90 The Boathouse, Norfolk, VA
08/24/90 Huger Street Concert Hall, Columbia, SC
08/25/90 Center Stage, Atlanta, GA
08/27/90 Houston, TX
08/28/90 San Antonio, TX
08/29/90 Unicorn, Dallas, TX
08/31/90 Celebrity Theater, Phoenix, AZ
09/01/90 UCSD, San Diego, CA

I was doing monitors and Danzig was easily the worst artist to work with, still to this day, that I have ever encountered. That said, misery in retrospect is always a great story and there were some really memorable times. Us soundies, Brandon, Karrie and I had an ongoing battle with the backline/merch truck. I think Brandon sent me this pic a while back.

I remember threading a bass string through a six pack of empty beer cans and attaching the contraption via another bass string around the exhaust pipe of their truck and then using some gaff tape to hold the cans against the muffler. A few miles out on the freeway at 3 am, the gaff tape melts, the cans drop and drag and bounce and we honk and zoom by with huge smiles.they pull over on a pitch black highway to the mysterious clanging sound.

At another gig they trapped poor Brandon in the back of our truck and sealed the door right after tossing in a brick of firecracker. We heard this banging sound and opened the truck to a huge smoke plume and a human comes coughing out. Tiger balm on their truck seat, an Estes Rocket launcher fuse attached to an M70 attached to the dome light in their truck and on and on the pranks went. Glenn Danzig once took a swing at me mid show, the feisty little fighter he is. And everyday we found endless amusement in the eight foot high drum riser with a giant foam skull that had lights behind the eyes, we called it "Bullwinkle."

Anyway, for as much as Danzig was comic humor with a bad attitude, Soundgarden was pure heavy intense power and awesome to watch and cool people. We got on great with COC and Warrior Soul. After the tour we all went our separate ways, Rat Sound was really not very big at the time and Soundgarden took off and went with Showco for sound for the next twenty years.

So here I am two decades later doing front of house rather than monitors and mixing one of the early bands that took a chance and took a little punk rock sound company on tour with them.

**** Sound Nerd Speak ****

Sound Tip!

Ok, all you soundies should know that when setting up your main PA if you put all the subs stage center, you get pretty much an omni pattern or a fairly even coverage left to right but it tends to over sub woof the band. With newer cardioid setups you can reduce the 'band kill' a bit but still having the band 3 feet from subs that are trying to shoot low end hundreds of feet is bound to cause issues.

Here is a plot of two low sources spaced about 18"

So we space our main PA subs out and put a pile stage left and a pile stage right. This gets the subs father from the band but gives us a a power alley down the middle and reduces the low end off to the sides. While practical, their are several undesirable side effects like the creation of a power alley and diminishing low end off to the sides. If you have been following this blog you will know it is something I have spent much time on.

Ok, now check this out! First the good news; here is one of those rare things in our sound world that is super easy, has no real negative side effects and improves the quality of what we are trying to achieve. That bad news? All you front of house engineers do not get to enjoy it because it is a stage monitor tip. Think about the coverage pattern of two spaced subs, hot in the center, quieter off to the sides, where would that be useful?

How about drum fill? Rather than stacking two subs directly behind the drummer, what is you spaced those two subs apart and put one on either side? Then your sub response would look more like the plot below:

Now, with the drummer in the perfect hot spot. and the rear lobe fairly harmlessly behind the drummer, we now get a bit less bleed into the drums and less bleed to other parts of the stage. Pretty much you would be intentionally creating a power alley just for the drummer. Want to take the concept further? Use three subs. One behind the drummer and one to each side. Either physically place them equidistant from the drummer or if space behind is an issue, use time delay on the rear sub so all three subs are timed to hit the drummer at the same time.

The cool part about the triple setup is it creates a perfectly timed focal point of low end on the drummer but the low end tapers off as you get further down stage as well, reducing the drum sub level heard by the singer.

The effect of this is not overly dramatic but it is audible, usable and another useful tool to add to your sound tool box.

**** End Sound Nerd Speak ****

I am actually in Scotland right now, out with Blink 182 doing production rehearsals. I will try and get caught up on more of the Soundgarden adventure and will have plenty on Blink to come as well, but for now, how about some pictures?

I actually have quite a bit to do mixing soundgarden so I did not really have a chance to shoot show pics without screwing a cue, but here is the pre show Vic Theater

So though I do not do it often anymore, this Soundgarden gig was just myself as a sound engineer and every bit of gear was supplied by other vendors. For the monitor rig and FOH drive, I had the great pleasure of working with Carlson Audio. They did a wonderful job and best of all I had the honor of long time friend Allan Bagley as my FOH tech. Thank you Allan!

Whenever possible I try and carry extra subs. Even if I just use them as an effect, having a bit of nitro boost never hurts. For Soundgarden at Lollapalooza I pondered this for a bit, hmmm, what can I do that is kind of cool and unique? Hmmm, oh I know, what about giving some quad 21" subs a try? A few phone calls and Hello Cleveland! Thank you Ryan McCauley and all for making this happen.

How were they? Well, keep in mind the Clair I5 rig had 24 subs already which worked quite well. I used the McCauley's as Infra-Subs and eight of these 500 pound monsters, each on its own 14000 watt Lab Gruppen, put up a solid match for SPL and definitely hit some lower frequencies. Ooooh, I love playing with big toys!

Here is a shot from stage of FOH mix during the wee hours of our 7 am line check load in.

And back the other way

I watched a bit of Wolfmother and that is about all I got around to shooting

And to try and end up in the current time frame, this is my sound world for the Blink 182 non-festival gigs. Notice the compact XL4. Other than a couple of Rat racks, this one is all SSE gear from the UK.

Ok, off to go sort out some crazy mechanical spinning drum riser. Let me ask you this. How do you run a snake to a spinning turntable drum riser that flips end over end? Hmmm, good question and Steve Walsh and I are knee deep in unraveling this conundrum. Will let ya know as soon as we figure it out and also know if it works :)

Dave Rat

Are we bored yet?

nospam@example.com (Dave Rat) — 2010-04-06T06:42:15Z

The question is not "whether or not it occurs", but rather "is the occurrence relevant?" Theoretically dropping a single grain of sand upon the ground will shift the earth's path in an equal and opposite direction. This we know and can calculate with extreme levels of perfect prediction, but should we actually concern ourselves with walking so softly for fear of knocking the earth from orbit? Relevance.

Is the battle against global warming relevant? Is it winnable? Is it truly that surprising that humans of power become infatuated with conquests whether they be our president, a golfer or mechanic? Go stop go stop go stop. Heroes and fools and the difference is only whether we agree with the obsession at hand. Does it really matter if we skip a meal or a red light, make our bed or change the oil in our car?

And as perplexing as it seems the common thread remains 'is the occurrence relevant' "to me?" And of course the perspective of ramification must be taken into account.

And speaking of relevance. Lets take a dive into the insignificance of the world of sound and the meaningless focus on one of the few things in life that vanishes when you hit the 'pause' button. Stopping time gives a perfect picture and perfect silence. Sound is and requires time. Sound is serial while vision is parallel. And live sound is just about as serial as it gets. And pondering over the years the many ways to optimize that ever so complex and enjoyable connection between the music as it is created and the the ears immersed in absorption, I have found that my importance is magnified by the less I need to do. The perfect piece of audio gear is so transparent that it's existence is never heard. Hmmmm, I wonder if in the bigger picture I count as a piece of audio gear?

Anyway, regardless of your opinions on those matters, I thought I would share some things I have unraveled that may be helpful in to sound humans piloting audio now that I am increasingly getting my head around around my natural reluctance to be on video. I am finding the visual medium much more effective in communicating certain concepts for the exact reasons that sound is so challenging to explain. So here is a bit about my approach to mixing live shows.

and lately one of my favorite things to do has been working on little projects like the NL4 an NL8 testers as well as a whole bunch more. Here is a bit on the very first in the series:

And since speakers and dynamic mics are exactly the same but just differing sizes, that means just a voltage presented to a speaker makes it move, moving a speaker makes voltage. Here is video showing how to use that aspect to check continuity of a speaker with any piece of metal big enough to reach both terminals

Ha! It is all about boredom avoidance and perhaps maybe a bit about not forgetting the things that are enjoyable to remember.

On some other fronts, Coachella is coming up fast and last I heard Rat has 7 semi's heading to the desert. Heck, I did not know we even had that much gear. I do know I agreed we buy a Midas Pro6

16 more K1, I actually think Rat is the first company worldwide to put in a second order for the Maserati of sound systems. And speaking of sexy rides, check out the new Rat truck

that is 3000 pounds lighter which means we can actually get 10,000 pounds of gear in a bobtail without being over weight, I mean how crazy stupid is the whole box truck thing? 26,000 pound weight limit and 20,000 pound trucks on 32,000 pound capable chassis. So We were like, "Hey, how about we order us up a light weight truck and nearly double the capacity?", Pure rocket science I tell ya, though nowhere near as good as it could be if the truck makers were half as on the ball as the speaker manufacturers.

And so, now off to pretending I know the business side of things. (Don't buy it, I am just a knucklehead sound guy in disguise!)

Two years ago January, Rat saw nothing but haze in financial workload future and went into that caution mode when danger is abound, as will Rats do. I can say it is refreshing to see blue skies ahead as it seems the bumpy roads are behind us, at least for the time being. So then I thought to take a gander at a not really related angle but interesting none the less. Hey, just to get some perspective and relevance on all the chatter and did a google search on "national debt by year" and this came up:

http://en.wikipedia.org/wiki/National_debt_by_U.S._presidential_terms

http://zfacts.com/p/318.html

I don't know what will happen next but I have a pretty good idea and my bet is that the national debt will slow its Bush era acceleration while domestic product increases and we see something like the Truman, Carter, Clinton reversals over the next several years. But hey, though I could be wrong I found this a comforting in some odd way. I guess the question remains, about relevance and what to concern ourselves with, meanwhile never forget that random ignorant panic is always an option.:)

Cool cool, enough for now. I hope to get back to my less serious more wandery self soon enough as it looks like I may have a new sound gig that I am excited about. But that will have to wait. And most of all I truly hope that the info I am sharing is as useful or interesting as the responses I get make me happy.