Hello Gnarls Barkley! I finally got around to taking a full band shot
And our friend Josh Klinghoffer who is well loved in the Peppers camp and worth checking out anything that he is involved with.
**** Roadie Research Segmnet ****
Roadies are very friendly and giving creatures by nature. Their overwhelming desire to immerse themselves in selfless generosity at times can saturates the roadie so thoroughly that no option other than to act upon that desire remains. Roadie Leif is no exception.
In fact roadie Leif is a prime example of how truly kind and thoughtful a roadie can be. Most recently, as hard as it is to believe, roadie Leif was out shopping on his day off and out of the pure goodness of his heart, the realization came that roadie Lee worked long hard hours show after show and often had nowhere to sit to rest his weary legs. That is when brilliance struck Leif like a falling cotton ball. It was not long till gloriously Leif parades into the gig proudly displaying his heroic purchase that will surely bring happiness and joy to fellow roadie and comrade in rock, roadie Lee. Here we can see roadie Lee basking in the euphoria as he enjoys a gift chair so caringly given
It just warms my heart to roadies looking out for each other, but it really should be no surprise as roadies would never have made it this far up the evolutionary chain if it was not for their keen sense of survival and preservation of the roadie herd.
**** Roadie Research Segmnet ****
**** Begin Dear Ratty ****
Guitar rig, Bass Rig, Monitor Rig
Hey, great nerd speak on this one, rigging is fascinating!!! I can't wait to see your nerd speak on the monitor system!!!!
Thank you and we have a monitor Danny as well! I will do the mon setup soon but first I have to go figure out what it is they do over in monitor world.
What about the trading card? Hey what ever happened with those?
Got swag? Marymoon
Thank you for the reminder, I have not forgotten Roadie Cards and have stats on a few more roadies. I just need to carve out a chunk of time. What is really pressing is finishing up our end of the eBay auction!!
Posted by 18wheeler - January 28, 2007 11:24AM hello dave good blog, as always. that's the beauty of ya blogs, gives us, the fans a great chance too see the behind the scenes things, that are so vital too making those 2 hours in each town, so special, I remember the versa tubes especially, as they were what i carried on the 2nd euro leg up the ramp, down the ramp, making sure local crew were not too heavy handed with the carts, so as anything got damaged. Should be fun getting all the gear too Japan, sea containers I presume???? Not much fun too load that's my job here in england at the mo, moving sea containers all over the uk with my truck, chick peas 1 day chicken the next, its sooooo rock n roll.
Hey hey, Hope you are taking care. The transport of gear is pretty complex. Some will be sea container, some will be replicated and hired locally, some will go air freight and some will change to alter the show. It really depends on timing, distance, where we go next and how big the gigs are. I think that all that I am bringing audio wise is the FOH drive and console plus Daniel will have the full monitor rig.
User Name: Miguel Pacheco User Email: firstname.lastname@example.org User Homepage:
Comments: Hey Dave what's up? I will be in the Tampa show tonight and then I will go to the Orlando and Miami show. I am pretty excited about rocking out. I just wanted to say I love this web site and the whole idea. I was wondering could you show a cool pic of Fruciante's guitar pedals please and also his guitar rack, I would luv to see that. Thank you so much.
How about this?
I will try to remember to grab a shot of his guitars at some point for ya.
User Name: Steve Comments: Hi Dave,
I've been following your blog world-tour since the beginning and will try to get to FOH to meet you at the Tampa show.
This might interest you with regards to Apple Computers: They are continuously ranked near to, and now at the very bottom of, the list as far as green manufacturing and recycling processes. There manufacturing processes use the most toxic chemicals and produce the most damaging byproducts.
Here is but one source: http://www.greenpeace.org/international/news/electronics-companies-race-061206
Take care on the road, Steve
Interesting, I would never have guessed. I naturally would have assumed that Apple would take more of a pro environment stance, especially considering the high percentage of artistic and music related humans that support their products. Thanks Steve! Well, maybe with a bit of pressure they will bump their game up a notch.
Oh, and to answer another request, here is bass world featuring roadie Tracy
User Name: Sander Comments: Hi Dave, really love you blog! Been checking it everyday since I found it :-)
Would be cool if you could go into detail about the drum mic'ing, as a semi-professional i'm experimenting with it for a while now myself and are very curious how you guys did this for this great band!
I did some photo's of the Peppers drum mic'ing a while back, check out Day 23. As far as a more in depth look into it, well, my approach is pretty simple. I put the mics very close to the drums in order to minimize background noise, reduce feedback issues and gain control over the individual drums. I mic the cymbals in 'regions' to reduce the quantity of mics and pay close attention to placing the mics physically so they give me the proper balance when they mic more than a single cymbal or percussive thingy. I use dependable mics that sound good, do the job and do not get in the way of the drummer's playing or sight lines. I avoid getting all excited about expensive 'boutique' mics live, I leave that adventure up to the studio humans. I try to use as few mic stands as possible and rely on clamps because stands are a pain to set up, always move and are in the way. I use two mics to get the kick and snare sound because it sucks if one stops working and I don't have a spare up there. I can make it through a song if any of the other drum mics fail.
Ok, that completes another Dear Ratty segment. I will do these occasionally as good questions build up.
**** End Dear Ratty ****
Counting down the hours, two more shows till home!
I see some Shure ULX Pro Wireless in the bass rig pictures. Do you use any other wireless mics and/or IEM's in the tour and if so, which ones? How have they worked out for you? How about overseas?
Keep it coming!
Hello Dave Rat!
I found your blog this past December during finals week at my college. It became an addiction during study breaks for finals, as I started from the very beginning and worked my way through to the present day (studying was often delayed because I just (*had*) to read one more post!). To say the very least, your blog is awesome.
On the unofficial sound nerd scale, I rank around 2 or 3, on a scale from 1 to 11. I really enjoy reading sound nerd speak, though, even if it is sometimes way over my head.
So, I have been trying to conjure up a good sound nerd question to ask the venerable Dave Rat, and the recent Dear Ratty segments have encouraged me enough to come out of my blog-comment-lurking shell. All righty, here goes nothing:
As a sound person, the most important tools in your toolkit are, most likely, your ears. Also, as a sound person, you do many rock shows each week where you are exposed to high sound pressure levels. However, ears tend to dislike high sound pressure levels, especially for extened periods of time. So, my question is what steps, if any, do you take to protect your hearing?
Sorry for being so long winded,
How much planning is done for each venue? I imagine that the rigging and lighting guys have some work to do with points and such, but what's done on the acoustical side? Do you model each venue in EASE, or just guess the coverage?
How long until the big touring audio systems go wireless? It isn't a line array, but I stuck a couple of Apple's 'AirPort' wireless thingys on some powered speakers in a Little League feild and had an instant delay/latency cluster (until I realized I could only run iTunes audio to them). Should the folks at Whirlwind be nervous?
re: Apple - they've come/gone a long way since the feel-good days of Wozniak's "Us Festival". But they make some good stuff... this is coming to you from my Mac...
Hopefully I'll see you at COACHELLA! Man was I stoked when I saw that the Peppers were playing!
I was lucky enough to meet Buford Jones on his UK Meyer Sound educational tour today. What a fantastic guy! Aparently you guys met up in Nashville a few weeks ago, anyway we got chatting about your blog... he loves your desk labelling!
Take it easy,
I noticed on the console that you have added some high end in on many of the drum channels and on AK's vocals. I have read in a former post of yours that you always try to pull frequencies instead of boosting them. How come the change here? Also, it looks like you have a great amount of midrange (200 to 600) pulled from the VDOSC in the 960 and the CP10. Do you ever apply any modifications to the system processors, or do you leave them on their factory settings and do all of your changes on your system EQ's at FOH? Speaking of which, do you happen have any pictures of amp world? Thanks and keep up the good times at Tiki FOH!
Ah, just read your answer on the low mid eq and system processor which is very understandable. A different question for ya then. How do you feel about graphic eq vs. parametric eq on system eq's? One of our FOH techs here has been recently doing ALL of the system eq and house eq for venues in the XTA's. Even when something gets pulled from the graph he translates it into the parametric on the XTA and leaves the graphic flat all of the time. His reason is that the graphic eq throws the system out of phase. Any thoughts?
Thank you for providing all the inside inofrmation on what's going on with the tour!
Quick, but curious question, how do you feel about those who may try to record the show...whether by audio or video?